There was no universe in which Tricia was not obsessed with flight. In tandem with her obsession came its inevitable, plentiful opposition: a cavalcade of obstacles meant to prevent her ascent to the skies. These would often manifest in the forms of previously innocuous people suddenly turned mortal enemies, or perfect storms of inconvenient circumstance, yet always seemed so neatly arranged before her that they ended up clearly delineating the upward path they were seemingly meant to dissuade her from taking in the first place. Forthright, unshakeable, and possessed as she was of a greater patience than most could comprehend, time and again, however improbably, she would make her way up.
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THE MAKING OF...
Continued evolution of the new inhumantouch AI-assisted workflow. Starting with faces produced in Midjourney, then alternately "zooming out" with Mj, and zooming in with mage.space/Stable Diffusion SDXL, effectively using SD as an AI upscaler, to increase (and often also correct) areas requiring greater detail. This usually includes the face and hands, but the same technique can be applied to any portion of the image, as long as one takes care to keep the variability/prompt influence set low enough so that the newly generated content can be easily masked/blended/Photoshopped back into the main image, to the point that it generally becomes impossible to tell that different generations/generators are responsible for different sections of imagery. The "main" face in this set, Tricia 53A679, also contains the first contribution from DALL-E 3: the rather majestic flying horse.